Showing posts with label matthew worth. Show all posts
Showing posts with label matthew worth. Show all posts

Celebrating American Opera Composers on July 4th (Independence Day in the U.S.)

Matthew Worth in Virginia Opera's Orphee by Philip Glass
American opera didn't happen until more than 140 years after the first opera, Jacobo Peri's Daphne. William Henry Fry is considered the first American opera composer. He wrote the unperformed Aurelia the Vestal in 1841 followed by Leonora in 1845. Most early American composers are forgotten today. Perhaps the first who are remembered today are Walter Damrosch, Scott Joplin, Louis Gruenberg, Roger Sessions and Victor Herbert.

One composer who is largely forgotten today is Harry Lawrence Freeman, an early African-American composer who supported himself and his own opera company during his lifetime and performed to largely black audiences. In 1893, his opera Epthelia was the first opera performed in the U.S., which was written by an African-American composer.

Louis Gruenberg's "The Emperor Jones" with Nmon Ford:

Before the advent of World War II, a number of prominent American composers emerged whose music endures today, including Marc Blitzstein, Virgil Thomson, George Gershwin, Douglas Moore, Aaron Copland and Gian Carlo Menotti. Perhaps the most enduring works from this period are Thomson's Four Saints in Three Acts and Gershwin's Porgy & Bess.

Robert Sims sings "I got plenty o nuttin'" from Gershwin's "Porgy & Bess":

The second half of the 20th Century saw the emergence of some of America's greatest composers ever, including Hugo Weisgall, Dominick Argento, Carlisle Floyd, Samuel Barber, Thomas Pasatieri, Philip Glass, John Adams and Stewart Wallace. In 1955, Carlisle Floyd wrote what many consider America's greatest opera, Susannah, which remains in the standard repertory today.

Samuel Ramey sings "Hear Me, O Lord, I beseech Thee" from Carlisle Floyd's "Susannah":

Long before the composing couple of Mark Adamo and John Corigliano emerged, America was blessed with lifelong companions Samuel Barber and Gian Carlo Menotti, who wrote some of the greatest operatic works in history. Barber penned Antony & Cleopatra and Vanessa, the latter with a libretto by Menotti. Antony and Cleopatra was commissioned to open the new Metropolitan Opera House at Lincoln Center in 1966 with Leontyne Price and Justino Diaz.

Catherine Malfitano & Richard Cowan sing "Oh take those lips away" from 
Barber's "Antony & Cleopatra":

Gian Carlo Menotti wrote the most performed American opera ever written, Amahl and the Night Visitors. His impressive list of operas include The Consul, The Saint of Bleeker Street, Amelia Goes to the Ball, The Old Maid and the Thief, The Telephone and The Last Savage. In 1958, Menotti founded the Festival of Two Worlds in Spoleto, Italy and then founded its companion festival in Charleston, South Carolina in 1977.

Bryan Elsesser sings "When the air sings of summer" from "The Old Maid and the Thief" 
by Gian Carlo Menotti

The 21st century has seen an explosion of interest in living American composers, including Tobias Picker, John Adams, Philip Glass, Jake Heggie, Mark Adamo, Ricky Ian Gordon, Anthony Davis, Steve Mackey, John Corligliano, Daron Hagen and John Harbison. Philip Glass has been successfully writing operas for 35 years, with such major successes as Hydrogen Jukebox, Einstein on the Beach, Kepler, Satyagraha and Appomattox. He has composed over twenty operas.


Father Death Blues from Hydrogen Jukebox:


Although he is far less prolific than Glass, many people consider John Adams an equal to Glass as the greatest living American composer. His masterpiece is considered Nixon in China, which is currently being performed in theaters around the world.  His other somewhat less successful opera is The Death of Klinghoffer. 


Michael Mayes in Tulsa Opera's "Dead Man Walking"
Perhaps the modern day wunderkind of American opera is Jake Heggie, who has strung together a remarkable number of operas which are entering the standard repertory. His 2000 opera Dead Man Walking is becoming an audience favorite far beyond the U.S. shores. Of course, we love it, because it has become a major vehicles for barihunks who are portraying the convicted killer Joseph De Rocher . His other successes include The End of the Affair, Three Decembers and the recent hit Moby-Dick. 


Norman Treigle sings "America the Beautiful" and "The Star Spangled Banner":

CONTACT US AT Barihunks@gmail.com

Opera Barihunks Taking on Musical Theater

Matt Worth as Curly
There is a sudden upsurge of barihunks crossing over from opera to musical theater. We recently featured Tom Corbeil, who has been a critical success in "The Addams Family" musical national tour an Teddy Tahu Rhodes, who is touring in South Pacific in Australia.

The Central City Opera has filled their roster with barihunks for their upcoming production of Rodgers and Hammerstein's "Oklahoma." Matthew Worth will star as Curly, joined by Curt Olds as Will Parker and Paul LaRosa as Jud. Performances run from June 30th through August 3rd, with two performances in Denver on August 5th and 7th.

Hugh Jackman sings "Oh, what a beautiful mornin'" from Oklahoma:

The company will also be presenting Puccini's "La boheme" and Britten's "Turn of the Screw." The three bohemian baritones are the enviable trio of Troy Cook (who has appeared Full Monty on this site), Ryan Speedo Green and Chris Carr. Visit the Central City Opera website for additional performance and ticket information.

Gregory Gerbrandt
A month later and about 3,200 miles to the south, Gregory Gerbrandt will be taking on Riff in Leonard Bernstein's "West Side Story" at the Teatro Nacional Sucre in Quito, Ecuador. Performances run from July 26-29.

Visit Gerbrandt's website to hear his recent recording of Gustav Mahler's Lieder eines fahrenden Gesellen. 


CONTACT US AT Barihunks@gmail.com

Barihunks as leading ladies?

Michael Mayes & Seth Mease Carico
We've always maintained that the Fort Worth Opera Festival is one of the best opera festivals in the United States. The quality of their productions combined with excellent musicians and singers always makes for great week of music. They also have their fair share of barihunks on the roster, but even we were shocked when we saw barihunks Michael Mayes and Seth Mease Carico show up to a promotional event for Mark Adamo's "Lysistrata" looking like a cross between a Ukranian mezzo-soprano and a Wal-Mart shopper from Nacogdoches, Texas.

The Fort Worth Opera hosted a Tug-of-War between the women and the men to kick-off the opening night of Lysistrata which features Seth Mease Carico as the Spartan General Leonidas and Michael Mayes as the Athenian Kinesias. Mayes and Carico thought that they would lend some muscle to the women's team, but it was to no avail, as the men won all three sets (that mus mean sex for everyone!).

The comic opera is about the battle of the sexes, where the Athenian and Spartan women are tired of their battle happy husbands refusing to lay down their weapons. They band together and refuse to have sex with the men until peace is declared.

Michael Mayes plants a kiss on fellow barihunk Matthew Worth
There are performances of Lysistrata today and on June 3rd. Other remaining performances at the Festival include Jake Heggie's "Three Decembers" with barihunk Matthew Worth on May 26, 31 and June 2nd, Tosca with the amazing and sexy Scarpia of Michael Chioldi on June 2nd and The Marriage of Figaro with barihunks Donovan Singletary as Figaro and Jonathan Beyer as Count Almaviva. Tickets are available on the Fort Worth Opera website.

If you can't make it this  year, make sure to add it to your travel plans next year when the Festival performs La Boheme, Daughter of the Regiment, sAriadne auf Naxos and Tom Cipullo's Glory Denied.

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Fort Worth Opera's Plethora of Pulchritude

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It's not often that we feature Tosca and it's not that we don't love the opera. It's just that Scarpia hasn't been the quintessential barihunk role. Fort Worth Opera performed Tosca with the dashing Michael Chioldi in 2005, which brought a whole different tension to the rape scene. For a moment, one wondered, "Well, maybe Scarpia wouldn't be such a bad hook-up." Of course, then Puccini's music said otherwise. Fort Worth is bringing Chioldi back to reprise his successful portrayal of the evil police chief.

But who really caught our eye was Angelotti, who will be sung by the gifted young baritone Tom Forde, who we first discovered as a Santa Fe Apprentice Young Artist and who we featured in our charity calendar. Forde has taken his fitness routine as serious as his singing...and it shows. Forde, who has always had a great face for the stage - expressive, with big features - now has the body to match.

We are kind of wondering if Tosca will dump Mario and run off with Angelotti.

Donovan Singletary
Forde, will have a little of barihunk competition at the Fort Worth Opera Festival, as Donovan Singletary is returning to take on Figaro in Mozart's "The Marriage of Figaro" opposite fellow barihunk Jonathan Beyer, who is singing Count Almaviva. Singletary, a rising vocal talent who excelled in the Lindemann Young Artist Development Program in New York, also happens to have one of the greatest bodies in opera.

We hate to rewrite Mozart, but if we were the Countess, we'd turn the tables on the philandering Count and run off into the garden with Figaro.

Seth Mease Carico (L) & Michael Mayes (R)
If you haven't hadn't enough beefcake after Tosca and Figaro, make sure to grab a ticket for Mark Adamo's comic, yet racy Lysistrata. Another singer who has recently hit the gym, Michael Mayes, will be performing Kinesias. His new abs went viral on the internet when we posted his picture performing in Jake Heggie's "Dead Man Walking" at the Tulsa Opera.

Patrons who last saw Seth Mease Carico in Fort Worth's "Before Night Falls" may not recognize the singer, who has a body and new look that makes him look more like Adam Levine than Leonard Warren. Carico and Mayes are both great singers AND actors, which makes us think that Lysistrata could be the surprise hit of the festival. Few opera companies perform non-standard repertory as well as Fort Worth. Last season, Philip Glass' "Hydrogen Jukebox" played to enthusiastic, sold out houses. In fact, we named it our "Best Opera of 2011" in our annual year end feature.

Matt Worth

Last on the agenda, is Jake Heggie's amazingly moving opera "Three Decembers," which will feature one of our favorite singers, Matthew Worth.

Worth sang the role of Charlie with the Chicago Opera Theater in 2010 to great critical acclaim. Mark Thomas Ketterson wrote in Opera News, "Matthew Worth's warmly youthful baritone is intrinsically appealing, and he shaded Charlie's music with intelligence and great sensitivity."

Jake Heggie talks about his opera: 

The Fort Worth Opera Festival should be a stop on any opera lover's travel calendar. This year's festival runs from May 12-June 3 and tickets can be purchased online.

CONTACT US AT Barihunks@gmail.com

Another Barihunk-laden Season at Minnesota Opera

Tenor James Valenti: Minnesota Opera, marketing hot men and not just barihunks
We love the Minnesota Opera for numerous reasons, including their commitment to new works, their innovative programming, their dedication to young artists, their high quality of artistry, their great marketing campaigns (that often feature sexy baritones AND tenors) and, of course, their constant stream of barihunks on their roster.  

Next season will mark the 50th anniversary of the Minnesota Opera and the 2012-13 season is once again packed with barihunks. The company will present four operas that are new to their repertory, including the world premiere of the operatic version of "Doubt."

John Relyea (L) & Jason Howard (R)

Opening the season from September 22-30 will be one of Verdi's most underrated works, the biblical epic "Nabucco."   The story of oppressed and exiled Jews and the king responsible for most of their troubles will feature Jason Howard in the title role and John Relyea as Zaccharia. We recently featured Relyea in another great early Verdi opera, Attila.

Kyle Ketelsen returns, but without the horns

Donizetti's "Anna Bolena" runs from November 10-18 with Minnesota Opera favorite Kyle Ketelsen as Enrico.  Regular readers will recall that Kyle Ketelson stole the show in their 2009 production as a devilishly sexy Mephistopheles in "Faust."

No "Doubt" that Matt Worth is hot

On January 26, 2013, the Minnesota Opera will continue its dedication to new operas by presenting an operatic version of "Doubt" by composer Douglas J. Cuomo. The story, which has been seen on Broadway and made into a movie with Meryl Streep and Philip Seymour Hoffman, revolves around scandalous allegations and tensions at a Catholic elementary school.

Matthew Worth was recently featured on this site for his current run in Philip Glass' Orphée at Virginia Opera. He recently sang a successful run as Guglielmo in Mozart's "Così fan tutte" with Minnesota Opera. He'll be making his Fort Worth Opera debut this summer as Charlie in Jake Heggie's "Three Decembers." Performances run from May 13-June 2 and tickets and additional information can be found on the Ft. Worth Opera website.

Other operas next season include Ambroise Thomas' "Hamlet" and Puccini's "Turandot." You can call 612-333-6669 or visit their website for tickets and additional cast information.  Tickets go on sale on July 23.

CONTACT US AT Barihunks@gmail.com

Barihunks Matthew Worth, Christopher Temporelli in Virginia Opera's "Orphée"

Matthew Worth as Orphée
We've been big proponents of Philip Glass' operas, so we were thrilled to see that the Virginia Opera will be staging his opera Orphée this month. We've posted about this opera in the past featuring barihunks Eugene Brancoveanu in San Francisco, Philip Cutlip in Portland and Martin Achrainer in Linz, Austria.

Martin Achrainer as Orphée in Linz

Not to be outdone in the barihunk department, the Virginia Opera has cast Matthew Worth in the title role. We've featured Worth in a number of his roles on this site, including a somewhat related role in "Orpheus in the Underworld" at Central City Opera. Virginia Opera fans will also remember him for his 2010 appearance as Don Giovanni, which created a bit of a sensation.

Of course, we think his sexiest role to date is as Tarquinius in Britten's "Rape of Lucretia," but that discussion is for another post.

Christopher Temporelli as seen in the 2012 Barihunks Calendar
We're excited about the Virginia Opera's production because even the small role of the Judge features one of our calendar models, Christopher Temporelli. We should also add that tenor Jonathan Blalock who plays Cégeste is a bit of eye candy himself. We've seen the opera and can certainly recommend it as wonderful theater, but if you need a nudge, then seeing Worth, Temporelli and Blalock on stage together should be sufficient motivation.

Performances run from January 28 through February 12 and will be performed in Norfolk, Richmond and Fairfax, Virginia. For additional cast and performance information visit the Virginia Opera website.

On an unrelated note, it's come to our attention that you can listen to barihunk Luca Pisaroni in "The Enchanted Island" from the Metropolitan Opera on Tuesday, January 17th at 8 EST/5 PST by clicking on this LINK.

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CONTACT US AT Barihunks@gmail.com


Matt Worth on Minnesota Public Radio talks and sings Cosi fan tutte

Matt Worth

John Birge at the Minnesota Public Radio recently had Matt Worth on his program and his first question was about the singer's status as a barihunk. Fortunately for Worth, he didn't have to spend the whole interview talking about his looks. Fortunately for listeners, we are treated to him singing "Donna mie, la fate a tanti" from Mozart's "Cosi fan tutte," which Worth is performing at the Minnesota Opera.

You can listen to the broadcast HERE, as well as read an interview with the American singer on the Minnesota Opera's blog. The cast also includes barihunk Daniel Mobbs as Don Alfonso. Performances run through October 2nd and you click HERE for additional cast and performance information.


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"Castleton West" A Critical Success

Michael Weyandt & Matthew Worth
Loren Maazel took his Castleton Festival west to California from Virginia, where it was met with the same critical acclaim that it received back East. Many of the same singers returned to reprise their roles, but we found a new addition to the barihunk family in Michael Weyandt, who was a sexy Junius. Cal Performance in Berkeley mounted both the "Rape of Lucretia" and "Albert Herring."

Joshua Kosman, the respected and brutally honest reviewer for the San Francisco Chronicle, gave "The Rape of Lucretia" a great review, saying this about the trio of barihunks:

Tarquinius was embodied with sonorous menace by baritone Matthew Worth, and bass-baritone Michael Rice brought a gorgeous warmth of tone to the role of Collatinus, Lucretia's ostentatiously virtuous husband. Michael Weyandt did a muscular turn as the ambitious Junius...

We learned during the performance run that Michael Rice plans on making this his final performance on the opera stage. Luckily, we'll still be able to enjoy him on his wonderful OperaNow! podcast, one of the most enjoyable shows about classical music around. We wish him well in his future endeavors. He's one of our favorite people in opera!

Michael Rice Sailing Off Into the Operatic Sunset
"Albert Herring" featured barihunk Adrian Kramer, who stole the show in the critical role of Sid. You can listen to this talented young Canadian at InstantEncore performing songs by Rorem, Barber and Danielpour.
The opera world should be grateful to Loren Maazel, whose Castleton Festival has reintroduced important operas to the repertory as well as talented young singers.
Adrian Kramer

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