Philippe Sly: ON DEMAND

Philippe Sly

Canadian barihunk and emerging star Philippe Sly's June 19th concert is available on demand for free at Radio France. He's performing Duparc's "Chanson Triste, Phidylé," Ravel's "Don Quichotte à Dulciné," Ropartz's "Quatre poèmes d’après l’Intermezzo de Heine," Jonathan Dove's "Three Tennyson Songs" and Schubert's "Mélodies."

The recital starts at about the 6:35 mark.

Sly recently won the Metropolitan Opera’s National Council Auditions and will be making his San Francisco Opera debut as Guglielmo in Mozart’s Cosi Fan Tutte in their 2012-2013 season. He's is currently a Studio Ensemble member of the Canadian Opera Company in Toronto.

CONTACT US AT Barihunks@gmail.com

Listen to the "Three Barihunks" from Montreal; Barihunks Sly and Brancy take 1st & 3rd

Sidney Outlaw, Philippe Sly and John Brancy

As a follow up to our post on Sunday about the Concours vocal competition in Montreal, we'd like to let readers know that the performances by the three barihunks who advanced to the finals are now available online. In fact, Sidney Outlaw, Philippe Sly and John Brancy perform one after another, providing an amazing opportunity to compare these three amazing artists.

We admit to being biased towards lower voices, but these three men are truly some of the best opera singers emerging on the scene today. The depth of their artistry and the quality of their voices is remarkable, especially considering that the youngest, Phillippe Sly and John Brancy, are just 23!

The winners will be officially revealed on Friday, but we've heard that Sly took away the top prize, shortly after having won the Metropolitan Opera National Council Auditions. The three top singers will appear in the Winners’ Gala Concert this Friday, June 8 at 7:30 p.m. at the Maison symphonique de Montréal. Under the direction of Alain Trudel, the Orchestre symphonique de Montréal will accompany the winners. Tickets are available at 514 842-2112. The winners are:

FIRST PRIZE – $30,000

PHILIPPE SLY, BASS-BARITONE, CANADA

Added to the First Prize is the Career development programme, valued at $20,000.

SECOND PRIZE – $15,000

OLGA KINDLER, SOPRANO, SWITZERLAND

THIRD PRIZE – $10,000

JOHN BRANCY, BARITONE, UNITED STATES

For the finals, John Brancy kicked it off with Wagner's "O su mein holder Abendstern" from Tannhäuser,  Tchaikovsky's "Postoite na odno mgnovenye!" from Pique Dame, Mendelssohn's "Es ist genug" from Elijah and Rossini's "Largo al factotum" from the Barber of Seville. Phillipe Sly then follows with Stravinsky's "Come, master" from the Rake's Progress, Handel's "Invida sorte avara" from Ariodante, Mozart's "Hai già vinta la causa!" from Marriage of Figaro and Bach's "Mache dich, mein Herze, rein" fo from the St. Matthew Passion. Sidney Outlaw finishes up this amazing run of baritone music with Mendelssohn's "Draw near ye people....Lord God of Abraham" from Eljah, Handel's "Sibilar gli angui d'Aletto" from Rinaldo, Korngold's Tanzlied from Die tote stadt and Verdi's "Death of Rodrigo" from Don Carlo.  

Click here to listen to the performance. The barihunk run starts at about the 27 minute mark and is worth the listen.

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Things of Interest This Week: Boys in NY, Carbo's new CD, Barihunks Competing in Montreal

Jesse Blumberg (L) and Tim McDevitt (R)

Three things that we love are all back and under the same roof on June 4th: the great Steven Blier returns with his latest "Sing for your Supper" show with barihunks Jesse Blumberg and Tim McDevitt. Blier always creates interesting themes for his shows and his latest offering will center on summertime.

Blumberg and McDevitt will be joined by Alex Mansoori, Adrian Rosas and Gennard Lombardozzi in selections by Cole Porter, Frank Loesser, Jason Robert Brown, Eubie Blake, Stephen Sondheim and Jerome Kern.

The show is at Henry's at Broadway and 105th in New York City and reservations are required.

Jose Carbo's "My Latin Heart"

Jose Carbo has released his first solo recital, My Latin Heart, which includes selections by Granada, Piazzolla and other Latin favorites.

The CD is available at ABC Records. You can also preview the CD and purchase it on iTunes.

Sidney Outlaw (L), Philippe Sly (C) and John Brancy (R)

Regular readers will know that we love to follow all the vocal competitions, especially as barihunks keep sweeping away all the tenors, sopranos and mezzos. We'll be closely monitoring the Montreal International Musical Competition this Tuesday and Wednesday as three of the eight finalist are not only barihunks, but some of our favorite singers around.

Sly was named our "Best Newcomer" along with Dominik Köninger in our "Best of 2011" feature. We still play his rendition of Schubert's Der Erlkönig to anyone who will listen. Sly was the winner of the Metropolitan Opera National Council Auditions and left the Merola Opera program a year early to join the Canadian Opera Company. 


Brancy has won or come in second in a number of competitions and has already worked with the aforementioned Steven Blier. A recent graduate of Julliard, Brancy recently studied at the International Meistersinger Akademie with sopranos Edith Wiens and Ann Murray, as well as pianist Malcolm Martineau.


Like Sly, Sidney Outlaw is another product of the Merola Opera Program in San Francisco. While in San Francisco he gave a recital that included Schubert's rarely heard Il traditor deluso, which still has lieder aficionados buzzing. On stage he stole the show with his performance of Dr. Dulcamara  in L’elisir d’amore.


Brancy and Outlaw will be representing the United States, while Sly is representing Canada in the competition. Both performances will be broadcast at 7:30 PM on Radio Canada. Click here to listen to the broadcasts. You can listen to the preliminaries here. 

John Relyea in COC's Tales of Hoffmann

John Relyea

We somehow forgot to mention that the great John Relyea opened on Tuesday night in "The Tales of Hoffmann" at the Canadian Opera Company in Toronto. We've seen video of the rehearsals and the production and singing are magical. See for yourself in the trailer below. Relyea plays all four villains in the opera, in a cast that also features fellow barihunks Philippe Sly and Gregory Dahl.

Performances will run through May 14 and additional information can be found on the Canadian Opera Company's website.

John Relyea in The Tales of Hoffmann in Munich:

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Nathan Gunn: Son of God

Nathan Gunn (right) to play Yeshua (Jesus Christ)

Fans of Nathan Gunn already think he's godlike, so it only seems logical that he was destined to play the Son of God, Jesus Christ. The San Francisco Opera just announced a delightfully ambitious season that includes Mark Adamo's "The Gospel of Mary Magdalene." The opera draws on the Gnostic Gospels, the Canonical Gospels, and decades of biblical scholarship to reimagine the story of the New Testament through the eyes of its lone substantial female character.

Nathan Gunn practicing his Jesus portrayal as Billy Budd

This opera will undoubtedly stir up some controversy, as it looks at the woman who Jesus loved in a whole new light. Mary Magdalene will be played by the Nicole Kidman-esque Sasha Cooke, so we can surely expect a non-traditional Mary-Jesus narrative. We can also expect to hear from the Catholic Church, so this opera will undoubtedly create some press controversy (and opera in the mainstream press is a good thing!). Kudos to the San Francisco Opera for taking a risk and challenging opera audiences and for bringing us an exciting new work.

Speaking of exciting new works, the San Francisco Opera is also presenting Nolan Gasser's "The Secret Garden" and Jake Heggie's "Moby-Dick." David Gockley and the San Francisco Opera family deserves special praise for bringing three new American works to the public in one season during difficult economic times when most companies are reduced to producing an endless stream of lackluster old war horses.

Marco Vratogna sings "Quei due vedesti?" from Simon Boccanegra:

Of course, no opera could survive without the standard repertory and the San Francisco Opera's 2012-13 season includes some great theater. Operas include Bellini's "I Capuleti e i Montecchi," Verdi's "Rigoletto," Offenbach's "The Tales of Hoffmann," Wagner's "Lohengrin," Puccini's "Tosca," and Mozart's "Così fan tutte."

Christian Van Horn (left) and Philippe Sly (right)

A number of barihunks have also been cast, including the imposing Christian Van Horn as the four villains in "Tales of Hoffman," Marco Vratogna as Rigoletto, Morgan Smith as Starbuck in "Moby-Dick" and the exciting leading role/mainstage debut of Phillipe Sly as Guglielmo in "Così fan tutte." We've been predicting major stardom for the Met Auditions winner Philippe Sly and we're thrilled that he's been cast in a starring role on a major stage.

We're pretty sure that the San Francisco Opera is the opera hot spot for music lovers this year. Visit the San Francisco Opera website for tickets and additional information.

CONTACT US AT Barihunks@gmail.com

BARIHUNKS BEST OF 2011

HOTTEST BARIHUNK PHOTO OF 2011 - CHRISTOPHER JOHNSTONE

Christopher Johnstone: Model singer

We couldn't believe it when we saw Christopher Johnstone's new website this year. The Cincinnati College-Conservatory of Music graduate defines himself as a "Singer, Actor, Model" and it's tough to argue with it. The lyric baritone has sung with the Glimmerglass Opera, Lyric Opera San Diego, Opera Pacific, Cincinnati Pops, Boston Pops and performing Poulenc’s Le bal masqué for Baritone and Chamber Orchestra with Maestro James Levine of the Metropolitan Opera.

HOTTEST BARIHUNK PHOTO OF 2011 (RUNNER UP) - NICHOLAS NELSON

Nicholas Nelson: Singer or Abercombie & Fitch model?

When we first saw these pictures, we thought they were from an Abercombie & Fitch catalogue. If there is any question left in anyone's mind that singers are taking better care of their bodies these days, these pictures should dispel those thoughts. Nelson is currently with the Portland Opera Studio, one of the beneficiaries of funds from our 2012 Barihunks charity calendar.

BEST STUDIO RECORDING - HENK NEVEN

Henk Neven: Best baritone studio CD of the year

Henk Neven was nominated for a presitigious Gramophone Award in the category of "Solo Vocal." Neven was nomintated for his recording of Carl Loewe's "Ballades" and Robert Schumann's Liederkreis with Hans Eijsackers on piano. It's an amazing recording that should belong in everyone's playlist.

BEST TREND - LIVING AMERICAN COMPOSERS

Daniel Okulitch, Randal Turner & David Adam Moore

The music of living American Composers was all the rage this year. Barihunks Randal Turner and Daniel Okulitch both released brilliant CDs based on the theme. The Five Burroughs Music Festival run by barihunk Jesse Blumberg featured music by living American composers, including performances from fellow barihunk David Adam Moore. The New York Festival of Song, under one of our favorites, Steven Blier, also continued to deliver some of the best new American music on the scene.



BEST NEWCOMERS - PHILIPPE SLY and DOMINIK KöNINGER

PHILIPPE SLY and DOMINIK KöNINGER

We had a great post this year which asked the question: Can barihunks sing? If there was any question about it, two newcomers to the site Philippe Sly and Dominik Köninger quickly dispelled the myth. Sly blew away audiences during his brief tenure at the Merola Opera Program and went on to win the Metropolitan Opera Auditions.  He was identified early on as a favorite to win the competition and his version of Schubert's haunting Der Erlkönig drew comparisons to Dietrich Fischer-Dieskau and other great baritones.


In a year where baritones won almost every vocal competition, German barihunk Dominik Köninger took the top prize at the 2011 Wigmore Hall/Kohn Foundation International Song Competition. His seamless phrasing and beauty of tone instantly became the talk of European impresarios and critics.

BEST NUDE SCENE - CHRISTOPHER MALTMAN IN "JUAN"

Christopher Maltman in Juan

Ever since we posted that Christopher Maltman appeared nude in Kasper Holten's abbreviated and updated film version of Mozart's "Don Giovanni," our inbox was filled with queries asking us where they could see the film. Unfortunately, the film had VERY limited release in the U.S. and wasn't made available on DVD to North Americans. Fortunately, a fan of our site directed us to this LINK where the film can be viewed online for free. We suspect that they're getting a sudden uptick in traffic.

BEST AND WORST OPERAS OF THE YEAR
BEST - HYDROGEN JUKEBOX IN FT. WORTH
WORST - GRISELDA IN SANTA FE

Dan Kempson & Justin Hopkins

The Ft. Worth Opera Festival continues to establish itself as a mandatory summer stop for any serious opera fan. This year's production of Phillip Glass' "Hydrogen Jukebox" was the surprise hit of the year. Directed by the Lawrence Edelson and featuring barihunks Dan Kempson and Justin Hopkins (who often appeared only in boxers), the production made an excellent case for this opera entering the standard repertory.

Gronk working on the Griselda sets

If you were looking for a short night at the opera, then you should have been at the Santa Fe Opera's production of Vivaldi's "Griselda." Director Peter Sellars and artist Gronk created an incoherent updating of a baroque masterpiece that had people scrambling for the exits. After Act 1 Santa Fe was filled with opera goers at local bars asking, "What the hell was that?"

BEST AND WORST DIRECTORS
BEST: JOHN DE LOS SANTOS
WORST: MICHAEL GRANDAGE

John de los Santos and Michael Grandage

We return to Ft. Worth for our best young director, John de los Santos, who brought such vibrancy to Gilbert & Sullivan's "The Mikado" that it seemed like a brand new hit show. We've been featuring a video of his work in our sidebar, as we think that his work should be more widely known to opera fans. He will be working on his first Wagner opera this year, when he joins the creative team at the Dallas Opera for their "Tristan und Isolde."

We've always had great respect for Michael Grandage as an actor and for much of his theatrical work. However, he needs to stay away from the opera house. He is the antithesis of everything that this site stands for, which is making opera accessible and interesting to modern audiences, as well as making it sexy when appropriate. He took all of the sexual tension out of Britten's "Billy Budd" at Glyndebourne and then mounted what the Guardian called a "disastrously dull" Don Giovanni at the Met. Two operas that thrive on sexual tension were basically emasculated by Grandage.

BEST BARIHUNK FEAST - MINNESOTA OPERA'S "SILENT NIGHT"

Mike Nyby

Kevin Puts' opera "Silent Night" contains more sexy men than a World Cup soccer championship. There were four barihunks in the premiere at the Minnesota Opera who had appeared on this site before, including Mike Nyby, Gabriel Preisser, Ben Wager and Liam Bonner, as well as Andrew Wilkowske. The opera is based on the screenplay for Joyeux Noël by Christian Carion and recounts a miraculous moment of peace during one of the bloodiest wars in human history.

BEST BARIHUNK WEDDING - ZACH ALTMAN & DAN KEMPSON

Zach Altman & Dan Kempson

This isn't you're grandmother's world of opera anymore. Baritones aren't the villains anymore, they're getting married to each other. Two of the most popular barihunks on this site tied the knot this year, Zach Altman and Dan Kempson. We wish them well!

YOU'RE NEVER TOO OLD AWARD - NATHAN GUNN

Nathan Gunn as Tarquinius in Vienna

We're going to leave you with Nathan Gunn, whose popularity with Barihunks fans is off the charts. The 41-year-old singer still looks hotter than guys twenty years his junior. He returned to the role of Tarquinius in Vienna this year and still looked as sexy as when he sung the role in Philadelphia years ago. He's also about to return to the role of Billy Budd, which is often performed by guys 10-20 years younger. Gunn also promotes his fitness routine, which we think is good for opera and good for the singers.

HAVE A GREAT 2012!!!

Celebrating Heinrich Heine - (December 13, 1797 – February 17, 1856)

Philippe Sly & Heinrich Heine

Christian Johann Heinrich Heine was one of the most significant German poets of the 19th century. He was also a journalist, essayist, and literary critic. He is best known outside Germany for his early lyric poetry, which was set to music in the form of Lieder by composers such as Robert Schumann and Franz Schubert. Heine's later verse and prose is distinguished by its satirical wit and irony. His radical political views led to many of his works being banned by German authorities. Heine spent the last 25 years of his life as an expatriate in Paris. [Excerpted from Wikipedia]

The first seven lieder from Robert Schumann's "Dichterliebe," set to poetry by Heinrich Heine Performed by Sanaz Sotoudeh and Philippe Sly in Pollack Hall at McGill University in 2009.



Schubert's haunting "Der Doppelgänger" from Schwanengesang sung by Dietrich Fischer-Dieskau:



Der Doppelgänger by Heinrich Heine

Still ist die Nacht, es ruhen die Gassen,
In diesem Hause wohnte mein Schatz;
Sie hat schon längst die Stadt verlassen,
Doch steht noch das Haus auf dem selben Platz.

Da steht auch ein Mensch und starrt in die Höhe,
Und ringt die Hände, vor Schmerzensgewalt;
Mir graust es, wenn ich sein Antlitz sehe -
Der Mond zeigt mir meine eigne Gestalt.

Du Doppelgänger! du bleicher Geselle!
Was äffst du nach mein Liebesleid,
Das mich gequält auf dieser Stelle,
So manche Nacht, in alter Zeit?

English Translation

The night is quiet, the streets are calm,
In this house my beloved once lived:
She has long since left the town,
But the house still stands, here in the same place.

A man stands there also and looks to the sky,
And wrings his hands overwhelmed by pain:
Upon seeing his face, I am terrified--
The moon shows me my own form!

O you Doppelgänger! you pale comrade!
Why do you ape the pain of my love
Which tormented me upon this spot
So many a night, so long ago?

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Only two weeks left to purchase our 2012 Barihunks Charity Calendar. Get in the holiday spirit and buy your copy today. All proceeds go to young artist programs. We named our first recipient yesterday, which is the Portland Opera Studio. Scroll down and read about this amazing program.

Barihunk Trifecta: Duncan, Werba & Sly together in St. John's Passion

Philippe Sly & Markus Werba

Fans of barihunks and Bach in Montréal were in luck this week when the internationally acclaimed Austrian barihunk Markus Werba teamed up with Canadian sensation and Met Auditions winner Philippe Sly for a riveting rendition of Bach's "St. John's passion." Our source in Montréal told us that Sly's voice filled the space with "a full, lush sound that radiated to the rafters." To top things off, Canadian barihunk Tyler Duncan was also in the cast.

We've followed Sly's career since he started creating a sensation during the Metropolitan Opera's National Council Auditions Competition. Opera aficionados are already hailing him as the next great baritone sensation. We've had the pleasure of hearing him in recital and performance and the early praise is well-deserved. He will be featured in a solo recital on June 1, 2012 at the Shenkman Arts Cenre in Ottawa. We're telling you about it now, because tickets are bound to sell fast. You can visit the Shenkman website for tickets and concert information. 

We've posted Sly's rendition of Schubert's "Der Erlkönig" before, but we think it's worth posting again, as it rivals the greatest versions that have ever been performed (and he's in his early 20's!):



Markus Werba heads to the Théâtre des Champs Elysées in Paris this December to sing Papageno in Mozart's "Die Zauberflöte" in a cast that features the brilliant soprano Sandrine Piau as Pamina. Click HERE for tickets or additional performance information.

Here is Werba as Papageno from a 2003 production at the Teatro Lirico di Cagliari with a cast that also featured Piau:



Tyler Duncan can next be heard in an eclectic program of music inspired by water with The Jefferey Concerts in London, Ontario. Joined by soprano Martha Guth and Duncan's wife, accompanist Erika Switzer, the trio will perform works by Schubert, Fauré, Joni Mitchell and Stan Rogers. Visit their website for additional information.

Tyler Duncan

Duncan then heads off to Boston to join the Handel & Haydn Society for their annual dose of the Messiah.

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If you're thinking about a holiday gift, don't forget to purchase our 2012 Barihunks charity calendar. All proceeds are going to benefit young artists, so buy your calendar now and support our future generation of singers.

Dominik Köninger Keeps Baritone Winning Streak Alive in Competitions

Dominik Köninger

German barihunk Dominik Köninger has kept the baritone winning streak alive by winning the 2011 Wigmore Hall/Kohn Foundation International Song Competition. Köninger won £10,000 for his first place finish. As we've been reporting, baritones Jonathan Beyer, Gabriel Preisser, Andrei Bondarenko, Mark Diamond, Philippe Sly and Konstantin Shushakov have been cleaning up at various vocal award competitions. We've dubbed this the "Golden Age of Baritones" and Köninger's win only reinforces our claim that we're in the greatest era ever for low voices.

Even the prize for best duo (singer and accompanist) went to a baritone, as Jonathan McGovern and his accompanist Timothy End walked away that coveted prize. The duo was awarded £5,000 for winning the prize.

Unfortunately, the competition posts video of the awards celebration, but not of any of the singing (a curious omission).  Below the video we've added two sound clips of Köninger, so that you can actually hear his artistry. He's performing Johann Strauß's "Brüderlein" and Ravel's Chanson épique. Here is the announcement of the winners:



 



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Philippe Sly Featured in Montreal Gazette

Philippe Sly

Canadian barihunk Phillipe Sly is currently a participant in the Merola Opera Program's prestigious young artist program. He just garnered critical praise playing the role of Bartolo in Rossini's "Barber of Seville."  After he completes his stint with Merola,  Sly will be joining the Canadian Opera Company's Studio Ensemble in Toronto.

The Montreal Gazette recently profiled the young singer, who is taking the opera world by storm. Here is the article:

MONTREAL - When 22-year-old Philippe Sly sang in March at a Metropolitan Opera competition, he was bringing his four years of vocal training at McGill's Schulich School of Music onto the stage, along with his formidable talent.

Out of 1,500 applicants in the first round and 22 in the semifinals, Sly's bassbaritone performance was singled out. He was one of the five winners of the National Council Auditions at North America's most venerable opera house.

"Phil has talent and a huge work ethic," says voice teacher Sandford Sylvan, who has performed operatic roles around the world, including at Carnegie Hall and received Grammy and Emmy awards for his role in John Adams's Nixon in China. [Read the entire article HERE]


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Philippe Sly sings Der Erlkönig

We were convinced from early on that Philippe Sly would win the Metropolitan Opera Council Audition. This video of him singing Schubert's amazing song "Der Erlkönig" shows why. He has interpretive abilities far beyond his years and an amazing voice to boot.

Sit back and ENJOY!

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