Opera News features Christian Van Horn

Christian Van Horn (Photo © Brian Kuhlmann 2012)

Christian Van Horn has a leading man's energetic charm and dashing good looks — virtues that were kept somewhat under wraps this past fall, when he was singing Raimondo in Lucia di Lammermoor and Crespel in Les Contes d'Hoffmann at Lyric Opera of Chicago and Turandot's Timur at San Francisco Opera. "When I show up for a job and go to have a wig fitting, I can always spot mine — it's the gray one, and it usually has a long, gray beard to go with it." Van Horn has a fair amount of practice playing older men: during his two full seasons as a contract artist at Bayerische Staatsoper, his seventeen roles included a run as Edita Gruberova's father in Norma, an experience he says was "kind of like singing with Angelina Jolie, because [Gruberova] is so wildly famous there. The applause after the show would last for an hour sometimes, and the crowds of people waiting for her outside the theater were unbelievable."

[Read the entire feature at the Opera News website]


F. PAUL DRISCOLL

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Don't forget to buy Randal Turner's CD. He's currently starring in Rufus Wainwright's "Prima Donna" at 

New York City Opera

Teddy Bare to Make Chicago Debut: Craig Verm Heads Barihunk Casting in Windy City

Teddy Bare aka Teddy Tahu Rhodes

The Lyric Opera of Chicago has released its 2012-13 schedule and two of the sexiest men in all of opera have been cast. Teddy Tahu Rhodes will make his Lyric debut as Stanley in a semi-staged version Andre Previn's "Streetcar Named Desire." There will be four performances, which will be made available to subscribers first before being sold individually. Renee Fleming will sing the role of Blanche Dubois. There will also be a single students-only performance with an understudy cast.

Fans of Teddy Bare will have other opportunities to see him in 2012. In the United States, he will perform Guglielmo in Mozart's "Cosi fan tutte" at the Washington National Opera and will also return to the Metropolitan Opera. On the other side of the Equator, he will tackle his first Scarpia with the West Australian Opera and return in his signature role of Don Giovanni with both Opera Australia and Opera de Bordeaux.

Craig Verm as Aeneas

Craig Verm, who unquestionably has one of the nicest chests in opera, is one of the numerous barihunks cast next season. Verm, who has bared his torso as much as Teddy Bare, will be performing the unsexy role of Albert in Massenet's " Werther." However, with Verm playing Albert, we can certainly understand why Charlotte's mother wanted her to marry him and not the suicidal tenor.

For those who want to see Verm in some of his sexier fare, you'll have to travel to the Teatro Municipal de Santiago in Chile. He'll be performing in both Bizet's "Carmen" and the title role in Britten's "Billy Budd."

Ildebrando d'Arcangelo (L) & Bo Skovhus (R)

Although they've cast a good number of barihunks, none of them will be in roles that show off their non-vocal assets.  For those of you who like "more mature" barihunks, Lyric is rolling out some of the hotter over-40 singers around in some Verdi and Wagner.  

Craig Verm as Zurge and Sean Panikkar as Nadir in the famous Pearl Fishers duet:

Other barihunks appearing with Lyric next year include Bo Skovhus as Beckmesser in Wagner's "Die Meistersinger von Nurnberg," Thomas Hampson as the title character in Verdi's Simon Boccanegra, Ildebrando d'Arcangelo in the title role of Donizetti's "Don Pasquale" and Lucas Meachem as Marcello in Puccini's "La boheme." Visit the Lyric website for tickets and additional performance information.

CONTACT US AT Barihunks@gmail.com

Luca Pisaroni: Classical Singer Coverboy

Luca Pisaroni

We like the recent trend of Barihunks adorning the covers of major music magazines. Following Mariusz Kwiecien's appearance on the cover of Opera News and Christopher Maltman's appearance on Opera Now, we now have Luca Pisaroni as the latest coverboy. The Italian barihunk, who is appearing in the Met's "The Enchanted Island" through January 30th is  on the cover of the January 2012 issue of Classical Singer magazine.

Here is the interview:

Many singers view their career as a sprint to the finish line. Discordant with instrumentalists who can pick up the violin at age 3 and make their Lincoln Center debuts before they’re 10, and even fellow crooners in other genres who can go platinum before they’re able to legally drive a car, classical vocalists face a variety of developmental hurdles before the real work can begin.

Traditional training today leaves singers taking an average of one voice lesson a week and often being catapulted into roles—either by agents or opera companies—at preternaturally early ages, ages often included in (if not headlining) marketing copy. What follows is an inevitable, and often very public, burnout.

Bucking this trend, however, is bass-baritone Luca Pisaroni. Born in 1975, Pisaroni is just beginning his rise to prominence in the United States. He made his Metropolitan Opera debut at 29 as Publio in Mozart’s La clemenza di Tito, but gave a star turn in New York as Leporello in the company’s new production of Don Giovanni (and returns this month as Caliban in the world premiere of The Enchanted Island). Compared to many of his peers who have headlined multiple Met productions and sweep across Europe, it may seem to some as a delayed trajectory—but for Pisaroni it’s not the majority of a sprint, but rather the first few miles of the marathon.

“It takes a life to master your voice, and it takes really only a few bad repertoire choices to ruin your voice. And once it’s gone, it’s gone,” explains the Venezuelan-born Italian singer over ginger ale at a hotel lounge that faces the Met. Growing up in Busseto, a comune in Parma and the birthplace of Giuseppe Verdi, Pisaroni developed an early passion for opera, admitting that he cannot remember his life without the art form. He listened obsessively to Boris Christoff singing the Verdi canon, from Don Carlos’ “Ella giammai m’amo” to Simon Boccanegra’s “Il lacerato spirito” to selections from the cabaletta-rich Attila. A few years later, at age 11, he saw his first opera—Aida. Around the same time, he destroyed a cassette tape of Pavarotti, singing over his recording of Tosca trademark “E lucevan le stelle” in tandem with the star tenor and checking to make sure his notes were high and long enough. [Continue reading HERE]





After his run at the Met, Pisaroni sticks to baroque music, as he rejoins cast member David Daniels in at the Lyric Opera of Chicago as Argante in Handel's Rinaldo. Performances run from February 29-March 24. Click HERE for additional cast and performance information. 

CONTACT US AT Barihunks@gmail.com