Showing posts with label Günther Groissböck. Show all posts
Showing posts with label Günther Groissböck. Show all posts

Should Fellow Singers be Afraid of Günther Groissböck?

Scary? He looks so sweet

Our post about barihunks Thomas Hampson and Günther Groissböck generated a lot of traffic and interest. Much of it seemed focused on Austrian bass-barihunk Günther Groissböck. Our favorite was a comment from another barihunk, Kyle Ketelsen, who commented about performing Leporello opposite Groissböck's Commendatore on Facebook. Ketelsen said that  Groissböck always "scared the shit outta me" around the 3:35 mark of the following scene from he infamous Don Giovanni production by Calixto Bieito at the Liceu in Barcelona is 2008. We can see why!!!


The much discussed and debated production also featured barihunk Simon Keenlyside in the title role and we featured it in previous posts. Calixto Bieto is currently making his U.S. debut in a reimagination of Tennessee Williams' play Camino Real at the Goodman Theater in Chicago. Needless to say, he's generating just as much controversy on this side of the Pond.

Günther Groissböck in Die Zauberflote. Nice hair?

We've heard from other singers about Groissböck's dramatic intensity and imposing presence on stage. One soprano wrote us that she was always afraid that he was going to grab her by the hair and throw her down onto the stage. Regular readers and opera buffs may recall that Groissböck also starred in the controversial "Brokeback Onegin" in Munich that featured shirtless dancing cowboys and Groissböck in bed with Lensky.

The Comendatore's entrance and DonGiovanni's descent into hell:

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Two Barihunks Make Met Role Debuts This Week

Thomas Hampson & Nadja Michael in Chicago's Macbeth

Two barihunks are making their Met role debuts on March 15th. American Thomas Hampson will take on the title role in Verdi's Macbeth and Austrian Günther Groissböck will debut as the vengeful Banquo in the same opera. Also appearing in the revival will be the thrilling soprano Nadja Michael as the bloodthirsty Lady Macbeth.

Günther Groissböck
Macbeth will be Hampson’s fifth Verdi role at the Met, where he has also sung Giorgio Germont in La Traviata, Rodrigo in Don Carlo, the title role in Simon Boccanegra, and Don Carlo in Ernani. Next season, he will make his Met role debut as Iago in Verdi’s Otello.

Thomas Hampson sings Macbeth's "Pieta, Rispetto, Amore" from Zurich:

The March 15th opening performance of Macbeth will be broadcast live on Metropolitan Opera Radio on SIRIUS XM Channel 74, as will the performances on March 20, 24, and 29. The March 15 performance will also be streamed live on the Met’s website. The March 24 matinee will be broadcast live over the Toll Brothers-Metropolitan Opera International Radio Network. 

Günther Groissböck  sings "In diesen heil'gen Hallen" from Die Zauberflote:

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